“Star Wars: The Force Awakens” on IMDB
Adventure/Sci-fi, 135 Minutes, 2015
A couple of weeks ago, I shared the painful story of how I saw Star Wars: The Phantom Menace on opening night, seventeen years ago. It was a sorry experience for more reasons than you’d think, but it did teach me an important lesson: even Star Wars can disappoint. The obvious question is: does it again?
(There will be no spoilers here.)
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Adventure/Sci-fi, 144 Minutes, 2015
I have no way to be impartial about this film. It’s a movie celebrating the drive and utility of science and, more broadly, intelligence in general. When it challenges its characters, it also challenges its audience. How could I begin to dislike a movie that says, without snark or caveat: “Smart is goddamn sexy.”
Action/Thriller, 114 Minutes, 2015
There is a kit, used since the 80’s, to create disaster movies. The parts are all optional, but the kit generally produces something that looks an awful lot like what’s come before. As I’ve said, originality isn’t always a metric of quality, but when your movie’s plot almost completely mirrors Sharknado [IMDB] you might be starting at a disadvantage.
“Star Wars Episode One: The Phantom Menace” on IMDB
Sci-Fi/Adventure, 136 Minutes, 1999
I won’t be seeing Star Wars: The Force Awakens [IMDB] for at least a few more days. I hate crowds nearly as much as I adore the franchise, so will sneak into an early matinee sometime soon. All of the fuss has made me think of the last “Star Wars” premier I was excited for. (more…)
Comedy/Musical, 115 Minutes, 2015
Nobody was surprised more than I when I thoroughly enjoyed the first movie (my review). It glorified a topic – a cappella singing – that I had, and still have, absolutely no interest in whatsoever. For this 40-something, it was a movie full of 30-somethings, playing 20-somethings aimed at tweens.
Shoot me, I liked it.
“The Second Best Exotic Marigold Hotel” on IMDB
Comedy/Drama, 122 Minutes, 2015
I was a big fan of the first film (my review). I spoke extensively about the quality of films featuring older, more experienced actors. This movie? That thing I said: same thing again. That’s not a particularly bad thing. I liked the first movie. It had an amazing cast, a funny, but understated, script and a simple, heart-warming message. This is more of the same and the same is pretty good.
“Fire City: The End of Days” on IMDB
Fantasy/Thriller, 101 Minutes, 2015
The idea that demons feed on our suffering isn’t new. It’s been a staple of fantasy and horror for hundreds, perhaps thousands, of years. The specifics vary, but one fact remains true: our misery is delicious. (To demons, at least.)
I had a craving for a little 13th century English history (like you do), but wanted it a little cheap; a little, um, dirty. Like when you could get steak, but you want a greasy hamburger. These movies looked like they might fit the bill: they were set at the right time and had about a dozen people from Game of Thrones in them.
Action/Adventure, 121 Minutes, 2011
Way back in the 13th century, King John of England (Paul Giamatti [IMDB]) was a tool. A royal tool. Such a tool, in fact, that his barons rebelled and, with the help of the Knights Templar, defeated him. They forced him to sign the Magna Carta, which limited the power of the king. He promptly ignored it and brought in an army of Danes (who dressed like Scots, for some reason) to help him reclaim the country (that he hadn’t actually lost).
Sci-fi/Comedy, 106 Minutes, 2015
As part of our Extra-Life 2015 Marathon our team, The Vidiots, raised hundreds of dollars for sick kids and, as a unwarranted slap in the face, we made them watch this. They were protected, somewhat, by the portable games they were playing, but several still suffered terribly.
In the past few weeks I’ve covered over a dozen examples of A.I. in film. They’ve ranged from simplistic, overly fantastical, stories of 8-bit computers achieving sentience and emotional beach-balls causing national disasters to serious, cerebral explorations of what the true meaning of intelligence, life and existence really is.
For each movie that I covered, there are a dozen more that I neglected. To close on a high-note, then, I’d like to touch on a handful of classic personal favorites that have helped to mold the genre.
“The Martian” on IMDB
“Pitch Perfect 2” on IMDB
“Ironclad” on IMDB
